
alone is well worth seeing black swan. Just for her and especially for her, because in the end the film left me a bit low for what could have given him. But then arrive defects, because the merits of incorporating this title Natalie Portman are many worthwhile to continue dwelling on them. Nina is a dancer who longs to get the lead role of a representation of The Swan Lake. It is a beautiful young woman living with a very possessive mother, who can hardly relate to girls her age and shows great sensitivity, so that his white swan is perfect. But can also be a black swan? Do you have within themselves what it takes to represent the darker side of the personality of that character? That is the descent into hell that tells black swan. This is the dramatic exercise that shows Natalie Portman, the transformation of women through their experiences. Gestures are bright, their looks, their words and silences. The actress has admitted that the physical requirements for the role were terrible and almost finished with it. All it shows on the screen. Everything. Brings to the surface many feelings that it is impossible to list them.
The package created by other performers for Natalie Portman contributes to his character, to me, is already legendary. Mila Kunis eye, an actress too familiar, yet here I could have found the definitive consecration if the light of Natalie Portman at times overshadow everything revolves around. Their treacherous and mysterious portrait of a dancer apparently so friendly and enemy of Nina is brilliant. Both out one of the riskiest sex scenes that have been seen on screen in recent years, a brilliant scene, reminiscent yperturbadora equally. Barbara Hershey portrays Nina's mother, and one can only wonder why this woman, who achieved some significance in the late 70's and early 80's, he has no papers. His brilliant counterpoint to Natalie Portman, but her character is somewhat unresolved in the script. Winona Ryder has the small role of the protagonist of The Swan Lake happens to Nina ("metaphor the current Hollywood and the tyranny of the image and age?). A hard paper, risky, complex and probably the best of his films. Vincent Cassel completed a vast interpretive staff, giving life to the director of the work.
black swan is a film by Darren Aronofsky. I have never understood his films. From the experimental Pi to overrated wrestler , passing through for me ineffective (although for many his masterpiece) Requiem for a Dream, and psychedelic absurdly pedantic The Fountain . The fact is that Aronofsky is a director who has a reputation consolidated and a sufficiently large legion of fans. black swan is the first film this director who manages to convey something. And I think that is due much more to Natalie Portman and other elements that Aronofsky himself. It is true that wheel firmly with energy and dance sequences (starting from the beginning hypnotic, dreamlike scene that follows a magic), and sometimes beautiful maps consists of mirrors and reflections. But I also believe black swan is a movie at times tricky, especially in his otherwise fascinating final scene. Play Fantasy (essential to handle this story) in a way that engages and sometimes other leaves the feeling that betrays what appears on screen.
Not to mention the obsessive repetition of unnecessary levels following the walk back a Natalie Portman (technical, of course, already used and I despaired to Mickey Rourke in The Wrestler ). With this hint conceals without explanation to understand this choice of camera position a few precious moments for what purports to be the film, a dip in the soul of the dancer. Immersion also is instrumental music from the movie. Could not be otherwise, being a film set in the ballet. Too bad the Clint Mansell's work is not eligible for an Oscar for being based on Tchaikovsky's music for The Swan Lake, because the music is so magical atmosphere as the interpretation of Natalie Portman. This makes the black swan special film, different and required viewing, which, however, is not the masterpiece it could have been, perhaps, in the hands of another director.
By the way, can someone explain me why this film was released in the U.S. on September 5, 2010 will not reach the English screens until February 18, 2011? What logic has to wait almost five months and a half for the premiere in Spain a long-awaited film, which has talked so much and will have Oscar nominations? Then they say that there is piracy, but that only seek to hide the poor distribution policy of too many movies.
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