
a warning: this is not a romantic comedy. There is a romance, of course, because that is a must in a movie made in Hollywood, but that is not what it offers Morning Glory. Its protagonist is the young woman delivered stereotyped and completely to his work is a challenge that all will be against them but which will make it impossible to exit gracefully. Seen a very cliché. And very friendly environment have also seen the television that portrays the film. Friendly because it does not attempt any criticism on what counts. There is an analysis of television current or on the morning news shows varieties. Morning Glory nothing more than what it is, a nice little film with charismatic actors. Search more deeply is to experience a huge disappointment in viewing. But if it looks like it is, a light comedy, perfectly fulfills its mission of entertaining.
And as the film itself offers plenty of non-scratching, the merit of that empathy is undoubtedly aroused his actors. Morning glory begins with a conversation (is very Machiavellian draw a parallel, downward course with the wonderful beginning of The network ?) In which seeks to establish the personality of the protagonist, Becky Fuller, a woman who is less than thirty lives completely surrendered to her work as producer of a local radio program. For that reason, is unable to have a normal love life. It is also a woman who talks a lot and that does not dominate the social uses to change its behavior. The portrait sounds appealing, but Roger Mitchell (Notting Hill director ) suddenly change course. That soon workaholic is also room for sentiment and is labia soon buried by the overwhelming presence of Mike Pomeroy, a journalist with the prestige and grumpy to start working.
words, the film begins with trap. Quye what we see in the first scene is not reflected later. The Becky of that initial conversation does not end being the same person shown in the rest of the film. Forgiven this inconsistency, Rachel McAdams shows a talent for comedy kind, which together with its versatility ( Sherlock Holmes, Beyond time, of Play ) makes it a name and a face attractive for all types of film. Here comes out victorious despite being surrounded by big names. Or, rather, precisely because of that. Because there's chemistry in their (somewhat limited) scenes with Jeff Goldblum and, above all, with Harrison Ford. In fact, it is the joint appearance of McAdams and Ford which shoots the film. His are the best scenes, even when they are not flat but sharing sequence. Diane Keaton, much duller than you might expect, it sometimes seems overrun beyond its catalytic role, but there it works (see pique Online Keaton and Ford to a first McAdams gaping behind the scenes then raging in front of them.)
Morning glory is one of the many films that offer nothing complacent and bold visions of a professional world in particular. They are the excuse to meet very different characters and see what happens. Is a key film is widely used, very trite, but it works when the casting is right. Here it is, and why the film ends up working. Without a trace too deep in the viewer, but a hundred minutes of entertainment offering sincere, well filmed, well together musically and, above all, very well played. A perfect movie to watch when you need to forget the world and smile.
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